Christ’s Teachings on Divorce

Unhanded

Jesus professes on the topic of divorce twice in the gospels, once in Matthew 5:31-32 and once in Mark 10:1-12. In either instance, he makes his position clear, saying in Matthew “…whosoever shall put away his wife, saving for the cause of fornication, causeth her to commit adultery,” and in Mark, “Whosoever shall put away his wife, and marry another, committeth adultery against her.” It would appear that Christ’s teaching is perfectly unambiguous on this topic: divorce is tantamount to adultery. But if we look closer at the passage in Mark, we find that there is some nuance in what Jesus said about divorce, when he said it, and with whom he spoke about it. In Mark 10:10, we are told that Jesus made this pronouncement to the disciples, though no context is given nor any indication as to how the discussion might of went, other than that the disciples had asked him about divorce. In a separate discussion with the Pharisees, Jesus says the following: “But from the beginning of the creation God made them male and female. For this cause shall a man leave his father and mother, and cleave to his wife; and they twain shall be one flesh: so then they are no more twain, but one flesh. What therefore God hath joined together, let no man put asunder.” (Mark 10:6-9) Using language from Genesis, Christ associates the marriage bond to being physically attached to another person as “one flesh.” It is curious then that in Mark this anecdote should follow immediately after the famous ‘if thy hand offend thee” illustration: “And if thy hand offend thee, cut it off: it is better for thee to enter in life maimed, than having two hands to go into hell, into the fire that shall never be quenched.” (Mark 9:43) Is it possible to draw an analogy between the offending hand and the problematic marital bond? Yes, you and your spouse may be one flesh, but if being joined to a husband or wife should cause you to jeopardize your own salvation, shouldn’t you amputate that part of you just as you would the hand that causes you to offend? It is a similar argument to that which John Milton makes in Doctrine and Discipline of Divorce, about which I wrote several weeks ago. It’s difficult to say whether this interpretation can be given any credence. Once could point out, just as Milton’s contemporaries did, the concluding verse spoken to the Pharisees: “What therefore God hath joined together, let not man put asunder.” (Mark 10:9) There is no license being given here that would allow men and women to determine their own separation. But is it permissible to think that while man cannot put asunder the marriage bond, God can? And if so, what would that look like? Can marriages end without anyone ever deciding to end them? Perhaps, independent of any legal petitions or church sanctions, a marriage can just dissolve on its own. Maybe, just as two people are destined to be together, they are also destined to separate.
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homeless jesus

The Mastaba of Abu Dhabi

scalemodel

The artist Christo was in Colorado a few weeks back, presumably to do site work for his Over the River project, which will for a few summer months shroud stretch of the Arkansas River between Cañon City and Salida with 9.5 kilometers of silvery translucent fabric. He spoke to a crowd of about a thousand people on the University of Colorado campus about his past and current works. Not surprisingly, the audience was mostly interested in talking about the Colorado project, and while he did humor them—probably more than they deserved—Christo spent a good deal of time presenting sketches and ideas for a different work about which he was clearly more enthusiastic. And frankly, so was I.

approach

Christo called this other project the Mastaba. First conceived in 1977, at the height of the oil crisis, the Mastaba is a gargantuan sculpture made up of 410,000 empty oil barrels. The barrels will be standard, 55-gallon containers, the same volume used on commodity exchanges to measure units of crude oil. The sculpture will be erected in the desert outside of Abu Dhabi. When completed it will stand 150 meters tall. Its footprint will be 300 meters long and 225 meters wide. It will be 3.4 meters taller than the Great Pyramid of Giza.

Scale with Great Pyramid

The mastaba shape recalls the earliest monumentalized tombs of the ancient Egyptians and Mesopotamians. This mastaba made of oil drums will exist as a kind of monument to the powerful oil sheiks of the modern-day Middle East. And it is a fitting monument in terms of its size and grandeur. The Mastaba will be the largest sculpture in the world, and one of the largest structures ever built by man. Myself, I am stuck by the sense of scale that it provides us. When we talk about oil production and consumption, we use figures and volumes that are so vast that they are impossible to conceive. The Mastaba can be used as a substantive expression of quantity made concrete in real space. To stand before it is to be confronted by our own mountainous appetite for resources and capital.
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Oh the immensity!

Oh the immensity!

As I was listening to Christo describe the Mastaba project, I started doing a few calculations on my phone. In all, the Mastaba will contain 410,000 barrels. This is the exact equivalent of the daily oil consumption of the country of Pakistan, a country of 180 million people. And it is about 25% less than the daily consumption of the United Arab Emirates, the country where the sculpture will be located. There are 8 million people in UAE; that’s 4.4% of the size of Pakistan. It is believed that 4,900,000 barrels of oil were spilled into the Gulf of Mexico during the summer of 2010. That’s about 12 Mastabas. Total daily oil consumption in the United States is approximately 19,150,000 barrels. Ladies and gentleman, that is a little less than 47 Mastabas.

So you see, even a measure as unfathomably large as Christo’s Mastaba is quickly dwarfed by the breadth and scope of the aggregated market.

thebigness

Stunning National Park Posters

The_Sierra_Range

The Sierra Range – full size

In the course of my work as a government documents librarian I came across these amazing National Parks posters in the University of Iowa Digital Library. Apparently back in the 80s, the U.S. National Park Service commissioned the artist Charley Harper to produce 7 separate images for promotional posters advertising some of the country’s less well-known parks. One very savvy gov docs librarian in Iowa City discovered these foldout posters and had them included them in the Iowa’s U.S. Government Posters digital collection. The files are available in super-high resolutions and are free from copy right restrictions. Below are links to each of the posters in the UI Digital Library:

Atlantic Barrier Islands

Glacier Bay National Monument, Alaska

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Isle Royale National Park, Michigan

The Alpine Northwest

The Coral Reef

Techlessness

Healthcaredotgovhearings

David Auerbach is a tech writer who does a regular column for Slate called Bitwise. This past week he turned in a great piece about the Healthcare.gov hearings. After reading through the testimonies of the different contractors involved in the project, Auerbach traces the technical failure of the site back to inept management from administrative types whose jobs have more to do with extracting huge payments from the United States government and less to do building functioning systems and innovative technologies. I’ve seen this same breakdown occur in various degrees with almost every major IT project I’ve ever been familiar with. The people in charge of these jobs tend to have the least understanding about the work that’s being done of anybody on the team. In IT, you often have non-engineers negotiating the business requirements for a project and then turning around to the people who will do the work and demanding that they find a way to make it happen without having any inkling of whether what they’re asking for is even feasible. Judging from the complete lack of comprehension exhibited by the executives who testified before Congress last week, this certainly appears to be the case with Healthcare.gov. Auerbach takes them to task pretty handedly. He points out that in some of her responses, Cheryl Campbell of CGI Federal, the lead contractor on healthcare.gov, is so clueless that she can’t even pass the buck properly. Furthermore Life Enhancement fully guarantees the quality generic cialis canadian appalachianmagazine.com of every product that it sells. Now these formulas don’t actually work with one bottle of two. viagra cialis achat Users report stomachaches, headaches, blurred vision, runny noses and back pain. purchase cheap cialis You can buy 25mg tablet in starting. cheap viagra from uk She simply does not know enough about software development process to be able to summon up the basic excuses that skilled project managers use to deflect blame. One has to wonder why CGI even bothered to send someone like her, a senior executive who had nothing to do with managing the project or engineering the product. That decision was probably derived from the same flawed managerial logic that led them to attach her to the project in the first place. Administrative people like to hire other administrative people and are reluctant to promote engineers into positions where they can actually lead their own projects. There is this belief among the MBA caste that managerial skills are transferable between disciplines and business sectors and that it’s perfectly okay to put someone in charge of a complex development project who has no tech skills whatsoever. Having worked in a corporate environment where management was structured in just this way, I can sympathize with the hapless software engineers at CGI Federal and QSSI, who, I can assure you, are not the ones at fault in this whole debacle. My guess is they had to spend countless hours in interminable meeting teaching the likes of Cheryl Campbell and Andrew Slavitt about the very project they were supposed to be in charge of. To an engineering team, managers like these are like a ball and chain that you have to drag behind you every step you take towards trying to get the job accomplished.

Let Her Down Easy

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Fucker I Dance

This song was released a few years ago, but I just saw the video for it today.

The song is a scintillating piece of dance pop to be sure, but the video is just stunning. It’s premise is honest and perfect: put Robyn in an empty sound stage, set up some lighting effects, let her wear that weird cut-off feather blouse, and let that bad bitch dance. The video is shot from the vantage point of a single camera that glides graciously around her. All of the action is captured in a single shot, suggesting that the performance was done all in a single take.

Robyn is a great dancer but not in the way that dancers are usually great. She isn’t exceedingly athletic, nor is she particularly sexual. Anybody could do these moves and it wouldn’t seem out of place if a man where to do them in place of her. But the truth is nobody else could execute this the way she does it. It isn’t at all about communicating technical mastery or sexual allure. It’s just a human body moving in a way that’s completely natural to it and appropriate for the emotionality of the music within which it’s immersed. The dance is free, but it’s also disciplined and expertly done. It looks ex temporal and spontaneous but has undoubtedly been rehearsed fully and discovered by the performer to be beautiful. It’s exactly what dancing ought to be but almost never is.
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Like pretty much everything, I have only a cursory understanding of how music and dance work, but I have seen this ‘dancing distinctly’ routine done successfully elsewhere. Best example is David Byrne dancing to Talking Heads music. Obviously Byrne isn’t the dancer that Robyn is, but he’s the absolute best at dancing the way David Byrne dances.

This is the way David Byrne dances:


Strays I Have Known

This is a list of the strays I have known.
Some I have befriended, some I have only encountered.
Some are still with me, others are gone.
All stray…

There’s the manic depressive who always asks for second chances,
the former salutatorian who had to give up on it all,
the drug-beaten hermit,
a bevy of gay waiters,
a leather jacket
a black cat who wants so desperately to talk to me,
a woman who when she sleeps speaks in two languages at once and thus makes a new language that is only for her, that can only be spoken by her and that can only be understood by her.

There are three weird sisters with complementary magics,
and a Southern lady abandoned by her beau in deepest darkest Chicago,
a self-built robot,
a happy cook,
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a light blue 1991 Chevy Lumina which I called Owen, after my dower but attractive high school Spanish teacher, and which acted as a divining rod for traffic accidents.

There are the cab drivers with learned degrees,
cab drivers who are dodging child support,
cab drivers with criminal convictions,
cab drivers driving along the margins of the city, alone in the late night.

There’s the world’s most talented squanderer of talent: he was a friend.
A one-eyed astronomer, also a friend.
There was the deputy high priest of this cult I started when I was in 5th grade.
There was the trash bag of pornography magazines I found in the woods.

All the strays.
All coming and going.
Some I have known,
some I have not known.

The Lives of Pederasts

I was surprised to find that someone uploaded their somewhat janky vhs copy of the documentary Chicken Hawk to YouTube. The film offers a decidedly rosy introduction to the North American Man Boy Love Association (NAMBLA). It was shot in the early 90’s, when the group was at its most public, and was trying to glom on to the ascendant gay rights movement. It opens with interviews with several of the members taken at gay pride parade in Washington DC where the group is kind of skulking around at the periphery. It’s interesting to see how queer civil rights activists react to them with this really aggressive ambivalence. No one’s telling them they have to leave, but they certainly aren’t letting them join the party. Some years later, the LGBT community would see what a liability it is to let the NAMBLA guys hang around and would come to openly condemn them, but back then no one really knew what to do when they would just show up out of nowhere with their unconscionable agenda—that society should let them have sex with children.

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I will say, where the film succeeds and manages to show us something really unique that we can learn from and empathize with, is when it shows us the lives of the pedophiles and what they’re like as people. These are peculiar people that we meet. They live their lives alone, in dingy little apartments, watching children from afar and feeling what they feel but being more or less powerless to do anything about it. We see one man leaving messages in young adult books in the public library. Others draw pictures for themselves of pre-adolescent bodies because owning and exchanging photographic imagery would be impossible. In the handful of times in their lives when they actually do get the opportunity to be intimate with a young person, it’s such an utter breakthrough for them that they talk about it in terms of spiritual transcendence. They carry the memory with them, clear and vivid, wherever the go for the rest of their days. Of course it isn’t beautiful, but it’s genuine, and it’s sad: The grim and ghastly respite of a mangled soul.

Dispatches from the Boulder Flood

Sorrow Pile

Check out this heap of damaged private property that’s completely inundated the dumpsters in my apartment community. At first it was just rolls and rolls of soaking wet carpet, but now the pile is bigger and it has more interesting things in it. Someone added this great face canvas on to the end of it. I think it’s supposed to look like a caterpillar or a worm now. However, later it was found that it has incredible response on line cialis toward the erectile dysfunction problem. This is not a shocker-if unhealthy bile is not treated, some patients will not be well after their gallbladder has been removed. levitra professional samples Precautions This drug ought to be used by online ordering viagra the users themselves. Now it has been successfully used in clinical trials. energyhealingforeveryone.com order cheap levitra I don’t know if anyone is ever going to come take all of this stuff away. I don’t see how they could. At this point it’s just grown into an enormous and beautiful collaborative sculpture.